This series of resin-coated fabric prints draws on physics textbook diagrams used to demonstrate the wave motion of light, collaging together broken images of light and combining discrete, photographed moments into a continuum much like spliced reels of film.
Read more "Undulations"Adapted photographs from the Expatriate Archive Centre show images of oil rigs and humid landscapes, interrupted by degradation and decay marks on the images’ surfaces.
Read more "Everything went shimmery"MONSTRATSIYA ARCHIVE FROSTING ON GLASS 2017 – 2018 Reappropriating absurdist Russian protest signs known as monstratsiya (-monstrations), the works call to loophole behaviors used to circumnavigate legal complications where illegibility and ‘invisibility’ are rendered as effective as direct action. Here, the act of archiving monstratsiya protest signs serves to document these ephemeral gestures and give them permanent […]
Read more "Monstratsiya archive"TO BE A PALE COPY DYE SUBLIMATION PRINTS ON POLYESTER 2016 These photographic prints of Berenice Abbott’s images—taken for physics textbook studies of wave interference patterns of light through water—are repurposed as flags on fabric, emphasizing of their iconic compositions and central geometric forms. Abbott was part of various Parisian and New York City social […]
Read more "To be a pale copy"A stack of black-and-white prints, showing paintings of Saint Francis, Saint Clare, and other recipients of the stigmata, sit on a pedestal at one end of the room. The punched holes rest on another pedestal across the room.
Read more "Half a ream of stigmata"THE RIGHT EYE ARTIST BOOK 2016 PRODUCED TO ACCOMPANY THE EXHIBITION FLATTENED AND DISORDERLY AT BABEL VISNINGROM FOR KUNST, TRONDHEIM
Read more "The Right Eye"FLATTENED AND DISORDERLY BABEL VISNINGSROM FOR KUNST, TRONDHEIM AUGUST 18 – 28, 2016 [LINK] The compact lenses used for lighthouses are ornate objects that seem more suited to Versailles than any functional setting. Based on an optical lens designed at the turn of the 19th century, their rapidly changing shapes developed alongside the progressing science […]
Read more "Flattened and disorderly"Rendered in digital space, a Fresnel lens is paired with advertising mantras for vision and optics, taken from opticians’ marketing campaigns.
Read more "Helping you see and be seen."STRANGE FRAGMENTS, TAKEN FOR THE WHOLE DIGITAL PRINTS ON ALUMINUM 2017 – 2018 Emulating a film noir style, this series depicts the adjustment brackets on the back of plastic chaise lounges found at many swimming pools. I reproduced these objects in wood and enamel and photographed them on mirrors with fog machines. Reworked as weapons, […]
Read more "Strange fragments, taken for the whole"I: STIGMATA STRUCTURES CONCRETE, CORK, WOOD, PAINT 2016 EXHIBITED AT EMBARK GALLERY AS PART OF THE EXHIBITION ABOVE BOARD. II: HOLY WOUNDS TEMPURA PAINTS ON TRACING PAPER WATERCOLOR AND GOUACHE ON PAPER 2016 Cast in concrete, the sculptures included in Stigmata structures reiterate the historical sign of the stigmata in broken and crumbling segments, supported […]
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christopher squier 