The digital prints on aluminum from this series use digital cloning to remix historical tools for vision, rendering them as kaleidoscopic meditations on the histories of vision, photography, and surveillance.
Read more "Shibboleths for the sun"Adapted photographs from the Expatriate Archive Centre show images of oil rigs and humid landscapes, interrupted by degradation and decay marks on the images’ surfaces.
Read more "Everything went shimmery"TO BE A PALE COPY DYE SUBLIMATION PRINTS ON POLYESTER 2016 These photographic prints of Berenice Abbott’s images—taken for physics textbook studies of wave interference patterns of light through water—are repurposed as flags on fabric, emphasizing of their iconic compositions and central geometric forms. Abbott was part of various Parisian and New York City social […]
Read more "To be a pale copy"